Writer, directer, sometimes actor and all around bad ass motherfucker.






When I found out that I got the part, I was in the middle of the street in Paris, just screaming and crying. Then the production told me I had to be in Los Angeles in two days to start learning how to project a movie. It was a crazy day. Quentin wanted me to learn how to project a movie – on modern machines at first, then older ones. So I was at his house, with a guy who taught me. And at the end of the 10 days, my task was to project, in a real cinema, Reservoir Dogs. All seven reels – which means six changeovers. A real audience all bought tickets and didn’t know I was alone in the projection booth! The idea was to have the feeling of what it is to do a changeover under pressure.
—Mélanie Laurent (via ghostsinthehall) (via fuckyeahmelanie) (via yourfavoriteredhead)
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